JAN SAUDEK



Jan Saudek widmet sich vor allem der inszenierten erotischen Fotografie. Dabei sind der weibliche Körper, das Altern, der Rollentausch in der Mann-Frau-Beziehung sowie erotische Fantasien seine häufigsten Sujets.

 

Heute gilt Saudek als einer der international bekanntesten Aktfotografen. Mit seinen märchenhaft poetischen Kompositionen, mit seinen häufig in Pastellfarben kolorierten Schwarzweißbildern hat Saudek alle politischen Irrungen und Wirrungen seines tschechischen Heimatlandes überlebt. Seine Geschichten spielen in morbider Hinterhofatmosphäre, in der man jederzeit das Auftauchen eines Hausmeisters, eines moralischen Saubermanns, befürchtet. Saudek selbst ist dabei eine Art Saubermann, der aufräumt mit der doppelzüngigen Tabuisierung der in geheimen Dunkelkammern ausgetragenen Obsessionen. Saudek "wäscht seine schmutzige Wäsche in der Öffentlichkeit" wie er selbst sagt. Geprägt ist seine Fotografie von ganz persönlichen Ereignissen wie der nachhaltigen Begegnung mit der legendären Fotoaustellung "The Family of Man" oder der Erfahrung, als Zwilling nur knapp den schrecklichen Experimenten des KZ-Arztes Dr. Mengele entgangen zu sein.


 

Jan Saudek (b. 13 May 1935 in Prague, Czechoslovakia) is a Czech art photographer and painter. Saudek currently lives and works in Prague.


Life and work

Saudek's father was a Jew and this, coupled with his Slavic (Czech) heritage, caused his family to become a target of the Nazis. Many of his family members died in the Theresienstadt concentration camp during World War II. Jan and his brother Karel were held in a children's concentration camp for Mischlinge located near the present Polish-Czech border. His father Gustav was deported to ghetto Theresienstadt in February 1945. Both sons and father survived the war. According to Jan's biography he got his first camera, a Kodak Baby Brownie, in 1950. He apprenticed to a photographer and in 1952 started working as a print shop worker, where he worked until 1983. In 1959 he started using more advanced camera Flexaret 6x6, also engaged in painting and drawing. After completing his military service, he was inspired in 1963 by the exhibit catalogue of Steichen's Family of Man to try to become a serious art photographer. In 1969 he traveled to the United States and was encouraged in his work by curator Hugh Edwards.

Returning to Prague, he was forced to work in a clandestine manner in a cellar, to avoid the attentions of the secret police, as his work turned to themes of personal erotic freedom, and used implicitly political symbols of corruption and innocence. From the late 1970s he gradually became recognised in the West as the leading Czech photographer, and also developed a following among photographers in his own country. In 1983 the first book on his work was published in the English-speaking world. The same year he finally becomes a freelance photographer as the Czech Communist authorities allowed him to cease working in the print shop, and gave him permission to apply for a permit to work as an artist. In 1987 the archives of his negatives were seized by the police, but later returned.

His best-known work is noted for its hand-tinted portrayal of painterly dream worlds, often inhabited by nude or semi-nude figures surrounded by bare plaster walls or painted backdrops, frequently re-using identical elements (for instance, a clouded sky or a view of Prague's Charles Bridge). In this they echo the studio and tableaux works of mid nineteenth century erotic photographers, as well as the works of the painter Balthus, and the work of Bernard Faucon. His early art photography is noted for its evocation of childhood. Later his works often portrayed the evolution from child to adult (re-photographing the same composition/pose, and with the same subjects, over many years). Religious motives or the ambiguity between man and woman have also been some of Jan Saudek's recurring themes. His work was the subject of attempts at censorship in the West during the 1990s.

 Jan Saudek is nowadays the most renowned Czech phoptographer in the world. He has had over 400 one-man shows held at. His photographs are included in the most important world collections.

His images explore dreams more than reality, although strongly characterized by bloody subjects always expressed by the person drawn, and by the use of hand coloured images. These images produce a non-realistic and honorific effect on oneself, even if Saudek’s choice was dictated by accidental difficulty of dangerous findings and coloured developments.


His photography has been a celebration of characteristics of human nature since the seventies: human beings, woman, father, mother, lovers and babies and adolescents. The passing of time, birth and death. In the eighties, a series of antithetical elements entered his imagination: love and hate, beauty and ugliness, youth and old age. They are all an animalistic aggression that as such stroked his masochism.


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