ELISKA BARTEK


Fotogramme / Cliché Verre


 

In Eliška Barteks Ouevre werden zunehmend Fotogramme wichtiger - Fotografien, die also ohne Kamera entstanden sind -und sind Zeugnisse von erratischer Bewegung, Erruptionen ihrer Handgelenke und Bewegungen die dem Zufall eine Chance geben.
Bartek zeigt uns das Wesen einer ambivalenten Realität in ihrem Übergang zu entropischer Ambiguität und manifestiertem Nichts.

Seit 2011 entstehen auch Glasklischee Drucke / Cliché Verre.

 


 

Photograms

 

Her photogramm series share a fascination with the role of light in photography, appearing as a Demiurge giving form to the overwhelming world and its elements, thus creating artistic reality. They capture its characteristics - constant change, instability and momentariness. This

light is not stopped by the surface of reality but reaches deeper, into materiality itself. Similarly, our reception of Eliška Bartek's art does not end with simply enjoying the visual aspect.

 


Installationview from exhibition in Feb. 2010
Installationview from exhibition in Feb. 2010

 

AMBIGUITY

 

We may define Eliška Bartek's work as an attempt to tame the expression of light in photography and art. Her recordings are mainly in blackand white. This series consists of photograms taken without a camera, lyrical and poetical images that show after-views of silhouettes juxtaposed with shadows of accidental interferences by daily life. By recording light

and form or intuitive states of existence, Bartek stresses the character of an ambiguous reality and how it passes on to either ambiguity or apparent nothingness.

 

Through linear and geometric arrangements,originating from the intentional motion of the camera and static points of light, Bartek builds her own reality. Inspired by reality and simultaneously reaching beyond the reality image, the nature of Bartek's works is still recognisable, yet they present a new realm of being - the light structure in a space and its mirror image preserved in a photograph. The artist's works relate to traditions in photography from her own country and abroad. She works in the spirit of Constructivist and Geometric

Photography as well as Dada and Surrealism. Her pieces resemble Talbot's Photogenic Drawings - images of objects that were exposed to light on photosensitive paper, a technique frequently adopted by avant-garde artists in the inter-war period, such as Laszlo Mohly-Nagy and Christian Schad or Czechia's Jaromir Funke, František Drtikol, Jaroslav Rössler and Eugen Wikovský. These artists experimented with the effects of light, by placing objects and forms of different transparency on a photosensitive surface, which then was exposed to stable or movable light sources.

 

Her photogramm series share a fascination with the role of light in photography, appearing as a Demiurge giving form to the overwhelming world and its elements, thus creating artistic reality. They capture its characteristics - constant change, instability and momentariness. This

light is not stopped by the surface of reality but reaches deeper, into materiality itself. Similarly, our reception of Eliška Bartek's art does not end with simply enjoying the visual aspect.

 

Magda Durda-Dmitruk

Director of 5th Warsaw Festival of Art Photography 2009, Poland

 

Installationsansicht von Ausstellung Feb. 2010
Installationsansicht von Ausstellung Feb. 2010

Fotogramme / Photograms

& Glasklischee Drucke / Cliché Verre.

 

Unikate
30 x 40 cm
Fotogramm
Silbergelatine Prints




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